Chihuahua Photo Session
Jun 29 2026 | By: Kim Yanick Portraits
The Driftwood Chronicles
As told by Ollie
Look, I'm not going to pretend I didn't know something was happening when Geraldine started moving us toward the car. I always know. You develop a sense for these things when you're ride or die. The leashes come out in a certain order, you get your head in the game. Simple.
Tia was doing her pre-departure routine which consists entirely of finding the best patch of sunlight in the yard and sitting in it with her eyes half closed like a tiny ancient empress, making everyone come to her. She's been doing this for fourteen years. The humans always come to her eventually. She has never once been wrong about this.
She also looked at my collar on the way out and I know what that look meant and I don't want to talk about it.
Marty was eating something he found near the fence.
I should mention that not everyone got to come. There were Discussions. There was a List. Some of the others watched from the window as we loaded up and I won't say it wasn't a little bit satisfying to be on the right side of that glass, but I'm also a dog of integrity so I kept that feeling to myself.
Tia did not keep that feeling to herself. She glanced back at the window with an expression that could only be described as and that is why you're not on the list and then got into the car with great dignity.
This was a select group. A focused unit. Geraldine and Ken clearly had a vision and we were it.
The drive was long. Duncan to Parksville is not nothing. Tia slept the entire way with the focused intensity of someone who has conserved energy across fourteen winters and knows exactly what she's doing. Smart. Efficient. I sat upright and watched the road because someone has to monitor these things. Ken drove. Geraldine turned around periodically to check on us in the way humans do when they love you, which is to say frequently and for no particular reason.
Marty pressed his entire face against the window for the full drive, making little fog patches with his nose, watching the island go by like it was all being put there specifically for him.
He said, around Nanaimo, that he could smell the ocean coming.
He said it again at Lantzville.
And again just before we turned off.
Tia opened one eye, assessed the accuracy of this claim, determined it was not yet warranted, and went back to sleep without saying a word.
She didn't have to say a word.
She never has to say a word.
When we pulled up I stepped out first. I always step out first. Not because I'm told to. Just because that's who I am.
The smell hit immediately. Salt water. Grass. Driftwood baking in the last of the afternoon sun. And underneath all of it, that particular electric feeling of something about to happen.
Then I saw her. The photographer. Already there, already set up, camera in hand, grinning at us like we were exactly what she'd been waiting for.
Which, to be fair, we were.
I looked up at Geraldine.
Geraldine looked at the photographer.
The photographer looked at us.
Tia looked at all of us in turn, conducted some kind of rapid internal assessment, and apparently decided we would do.
Good, I thought. Let's get to work.
She found the log pretty quickly. Big old piece of driftwood right at the edge of the grass, water stretching out behind it, mountains going soft and blue in the distance. I'll admit it was a good location. She had an eye for it. Ken and Geraldine had driven us a long way and I wanted to make sure it was worth the trip.
What happened next is that the photographer got down on the ground. All the way down. Flat on her belly in the dirt and gravel with the camera pointed up at us like she was shooting from underground.
Marty lost his mind a little bit.
Not in a bad way. Just in a Marty way. He went up on his hind legs and craned his whole neck forward to look at her down there like he was trying to figure out if she needed help. His ears — and I cannot stress this enough — were doing something completely independent from the rest of his body. The wind had them going in separate directions. He looked like he was picking up transmissions from space.
Tia looked at Marty the way a headmistress looks at a student who has shown up to the school play wearing the wrong costume. Silently. Thoroughly. With great patience for a world that continues to disappoint her.
I stepped onto the log and sat down.
Someone had to start.
My solo shots went well. I know they went well because I was present and focused and I gave the camera exactly what it needed which was unflinching direct eye contact and absolute stillness. That's the ride or die way. You show up. You commit. You don't glance away at a seagull like some dogs.
I'm not naming names.
(It was Marty. He glanced at a seagull.)
(Tia saw him do it. She has a catalogue. She keeps records.)
Tia's solo shots were something else entirely. She walked up to that log with the energy of someone who has already won every award and is simply here as a courtesy. She sat. She leaned forward just slightly. She did the smoulder. Fourteen years of smoulder, all of it landing directly in the lens. But here's the thing about Tia that people don't always notice straight away — even while she was being magnificent for the camera, one eyebrow was doing something slightly critical. Like she was simultaneously giving you her best side and quietly evaluating whether you deserved it.
The photographer made a noise that I can only describe as delighted. Geraldine made the same noise from somewhere behind the camera.
Tia accepted this as no more than her due and stepped off the log.
Marty's turn was longer than planned.
This is always true and we all accept it.
It's not that he's difficult. It's that everything is genuinely fascinating to him and he cannot pretend otherwise. The log was fascinating. The grass was fascinating. The way the water moved behind us was fascinating. At one point he tilted his head so far to the side I was genuinely concerned about his neck, but the photographer made a squeaky sound and he snapped back to attention like a little cream-coloured soldier reporting for duty.
Tia watched Marty's entire solo session from a distance with an expression that suggested she was mentally drafting a performance review. Not unkind exactly. Just thorough. Just very, very thorough.
He put his paws up on the log and stared into the camera with those big round eyes and I watched from the sidelines thinking, yeah okay, that's a good photo. Not that I'd tell him. He doesn't need the encouragement. He's already at maximum enthusiasm at all times. There's nowhere to go from there.
Ken was laughing. I noted this. Ken seems like a man who appreciates a good show and Marty was absolutely providing one free of charge.
The group shot was the finale and I want to give an honest account of it.
Tia positioned herself in the centre before anyone else was even on the log. Just materialized there. Fourteen years of knowing exactly where to stand, and frankly a certain satisfaction in being flanked by two dogs she could judge from a position of geographic advantage. Marty came bounding up on the left, ears rotating freely, tongue making a brief appearance, sun starting to drop behind the tree line and turn everything gold.
I took the right.
That's where I always end up. Right side, solid, watching the edges, making sure the whole thing holds together. That's the job. Not the flashiest position but somebody has to anchor the frame. The ones who drove an hour and a half to get us here deserved a proper shot and I was going to make sure they got one.
And then the sun broke through. Really broke through, blazing low and hard right into the frame, and Marty turned to look at it like he'd never seen a sun before in his life, like it was a personal gift delivered specifically to him on this beach on this evening, and the lens flare went everywhere and the photographer just kept shooting because what else do you do when the light does something like that.
I kept my eyes forward.
Tia kept her eyes forward, though I'm fairly certain she spared a brief sideways glance at Marty looking at the sun and filed it away somewhere under classic Marty, further evidence, see previous entries.
Marty communed with the sun.
I heard Geraldine say oh that's gorgeous from somewhere behind us and I thought, yeah. Yeah it is. We came a long way for this and it landed exactly right.
Even Tia, I think, approved. She didn't say so. She never says so.
But she didn't NOT approve either, and from Tia, that's basically a standing ovation.
On the way home Tia was asleep before we cleared the parking lot. Marty pressed his face against the window again, watching the dark trees blur past on the highway, probably still thinking about the leaf or the bird or the sun or all of it at once because that's just how his brain works and it's a lot to be around but also, quietly, one of my favourite things about him.
Ken drove. Geraldine had her phone out, probably already looking at the sneak peeks.
I sat up straight and watched the road.
The whole pack was waiting at home and we had stories to tell. Marty would tell his version, which would be loud and involve significant dramatic reconstruction. Tia would listen, and say nothing, and we would all know exactly what she thought anyway.
That's just how it works.
That's just Tia.
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